Thursday, April 23, 2009

Defining Death or Defined by It?

Throughout history mankind has embraced the idea that we define ourselves by the way in which we live our lives. The pursuit of wealth, power, discipline, and religion are only a few of areas which people use to mold their persona. Sixteenth century Britain provided prime examples of these pursuits, which are reflected in the plays produced during this period. Whatever the pursuit, each person’s individual definition was understood to end with a common punctuation: death. Whatever the person’s status or achievements, their mortality was unavoidable. Although these concepts were clearly evident, a different thought began to make itself apparent. Plays like The Duchess of Malfi and A Woman Killed in Kindness began to shed a new light on the subject of death. Instead of a permanent end, death began to be seen as a gateway to immortality. This new concept of immortality was not the same immortality strictly defined in the religious sense, but a fusion of this religious ideology and the Humanistic views beginning to make their impression on society. This immortality defines itself in the notion that one’s fate is decided by the way in which they die; suggesting it is death that provides an individual with an opportunity to achieve true life.

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